He had many shows in his career, and lived and painted extensively in Italy, England, Fiji and the United States. An amazing man. Free entry, Find out what you need to know before visiting, Archibald, Wynne & Sulman Prizes for 1976, A Different Vision - Brett Whiteley Sculptures (1998), Australian icons: twenty artists from the collection, To look within: Self portraits in Australia. gelatin silver photograph on paper (sheet: 50.4 cm x 40.4 cm, image: 45.2 cm x 30.8 cm) Brett Whiteley AO (1939-1992), artist, displayed a brilliant talent for drawing as a Sydney schoolboy. He soon settled in Lavender Bay. Abstract: `Prizes, Rivers and More Prizes' by Sandra McGrath, pg. The illustration is a detail of Whiteley's 'Self Portrait in the Studio'. 'The balcony 2' is one of his most evocative harbour paintings, encapsulating key elements of Whiteley's art fluent draughtsmanship, an erotically charged curvilinear line and an ability to invest minimal brushstrokes with multiple associations. David Freeman will direct and Tahu Matheson will conduct. 61-85, Sydney, 2005, 76 (colour illus. In London he excited art dealers and fell under the influence of painters such as Francis Bacon. 1975 It was hanging beside a wonderful John Olsen, Five Bells (oil on hardboard, 1963) on the day i visited, which i thought most apt for the two were good friends. All Rights Reserved. Thomas Keneally, Australia, 'Dead heart / live heart', pg. The work is an anthology of Whiteley motifs, including the view of Sydney Harbour from a window, a reclining nude, an armchair, and a piece of blue-and-white . 07 Apr 1939 15-41, London, 1995, 35, 165 (colour illus. Richard Wherrett, Sydney Theatre Company Limited Ninth Annual Report 1987, Sydney, 1987, front cover (colour illus.). Ashleigh Wilson, author of Whiteley's biography, is a consultant on the work. It took a great deal of his time and effort, taking about a year of full-time work. 1976 Self Portrait in the Studio 1978 Art, Life and the other thing Wynne Prize 1977 The . In 1959 he was awarded the Italian Government Travelling Art Scholarship, which was judged by Australian artist Russell Drysdale at the Art Gallery of NSW. His rock-star status and his popularity in secondary school art rooms may have eroded his street cred in the art world, but Lou Klepac's book Brett . Jane Hampson, Sun-Herald, 'Brett Whiteley's Images of Sydney Harbour', pg. unknown author., Sun news-pictorial, 'Brett wins art double', Melbourne, 22 Jan 1977, (illus.). Brett Whiteley self-portrait, Remembering Lao Tse (Shaving off a Second), 1967 [image link from artquotes.net] . As he said: "To draw animals, one has to work at white heat because they move so much, and partly because it is sometimes painful to feel what one guesses the animal 'feels' from inside." 18-19, Sydney, 13 May 2006-14 Jun 2006, 18-19. He painted abstracted images of bush scenes such as The bush (1966)[13] and also images which resulted from experimentation with various drugs, such as alcohol in the humorous Self portrait after three bottles of wine (1971).[14]. The artist's face reflected in a tiny mirror suggests the influence of Eastern art in the portrayal of man as merely a small part of a much larger . Brett Whiteley is one of Australias most celebrated artists. Barry Pearce, Brett Whiteley Art & Life, 'Persona and the Painter', pg. PROVENANCE. Donated through the Australian Government's Cultural Gifts Program. Many of the ideas from the work may have come from his experiences with alcohol, marijuana and other drugs. He left Australia for Europe on 23 January 1960.[4]. Many who were close to Whiteley, then aged 39, felt sure he would not survive beyond 40. All rights reserved. Charles Green, Peripheral vision: Contemporary Australian art 1970-94, Drummoyne, 1995, 7. 46. Around him at the Hotel Chelsea, other artists and musicians took heroin, which Whiteley did not take at that time. 28-29, Sydney, May 1997-Jun 1997, 29 (colour illus.). Nancy Borlase., The Sydney Morning Herald, 'Whiteley's year', Sydney, 27 Jan 1977, (illus.). Barbara Konkolowicz, A different vision, Sydney, 1998. Edmund Capon AM, OBE and Jan Meek (Editors), Portrait of a Gallery, 'Australian 20th Century art', pg. 30.5 x 25.5 cm Whiteley's intention was to portray the violence of the events, but not to go too far in showing something which people would not want to see. For portraiture to survive, especially self-portraiture, there has to be a deepening quality of self-revelation. The scholarship enabled Whiteley to travel to Europe and experience first-hand much of the art he had only seen in reproduction. Jill Sykes, Look, 'McCulloch's Encyclopedia', pg. Barry Pearce and Alec George, 9 Shades of Whiteley, '4: Lavender Bay', pg. His last studio and home - 2 Raper Street, Surry Hills in Sydney - is now a museum managed by the Art Gallery of New South Wales. He . The Brett Whiteley Studio (Editor), Big blue: the painted harbour (list of works), Sydney, 1997. 9-13, Cammeray, (1995-1996), 9-13. There are portraits of Vincent van Gogh, Paul Gauguin, Charles . 86. Max Prisk (Editor), The Sydney Morning Herald, 'Gallery packed as family pays tribute to tragic artist', pg. A detail of Whiteley's self portrait is accompanied with a photograph of the artist. Sandra McGrath., The Australian, 'A prize collection', Sydney, 27 Oct 1978, (illus.). . Portraiture shouldnt just be paint and canvas. The painting which was finally produced was made of a fantastic array of elements, including collage, photography and even flashing lights, with a total length of nearly 22 metres. The music will be written by Elena Kats-Chernin, with a libretto by Justin Fleming. In 1959 he won an art scholarship sponsored by the Italian government and judged by Russell Drysdale. Artists; A-Z Listing; Art movements; Schools and groups Brett Whiteley, Self-Portrait in the Studio (1976) In 1976, Brett won the Archibald Prize for his painting Self Portrait in the Studio. It might be argued that the hair is an affectation Whiteley used too frequently for comfort. 71-89, Sydney, 1984, 72, 72 (colour illus.). The Conceptual Frame Work- Brett Whiteley 'Self Portrait in the studio' 1039 Words; 3 Pages; The Conceptual Frame Work- Brett Whiteley 'Self Portrait in the studio' The symbols:He has used a variety of line, round and curvy in some areas but straight in others. cat.no. ), 135 (colour illus.). BRETT WHITELEY (1939 - 1992) GARDEN, 1975 brush and sepia ink on paper 84.5 x 75.0 cm stamped lower. The big self-portrait looking at himself in the mirror is extraordinarily honest in some ways. Donald Williams, In our own image: the story of Australian art, Sydney, 1995, 170, 171 (colour illus.). After meeting Bryan Robertson, the director of the Whitechapel Gallery, Whiteley was included in the 1961 group show 'Recent Australian Painting,' where his Untitled red painting was bought by the Tate Gallery. 3), 'Collecting international art', pg. [4] He also spent time with friends including Mark Knopfler and John Illsley from the band Dire Straits. Jill Sykes, Look, Barry Pearces next book-call it segueing with intent, pg. Shop today! Art Gallery of NSW. The balcony 2 Brett Whiteley 1975 116.1981. The quality which unites them is a fluid energy of the brush, extending through the media of ink, watercolour and oil paint, reflecting a lyrical response to the calligraphic style. The Australian artist is often celebrated for his painting but all his works had drawing at their core. List of works. The Self-portrait of 1977 sits squarely between his two Archibald Prize winners: Self-portrait in the studioof 1976, and Art, life and the other thing in 1978. Critique of Whiteley. The Version table provides details related to the release that this issue/RFE will be addressed. . While the Archibald Prize never failed to stimulate debate, controversy yet again loomed when, in 1976, Brett Whiteley won with his painting Self Portrait in the . This article appeared in 'The Good Weekend' pages in a section sub-titled 'The Arts'. It was first publicly exhibited at the Bonython Art Gallery in Paddington, Sydney in February 1972 as part of an exhibition titled Portraits and other emergencies. 30-35, London, 2013, 31 (colour illus.). Are you being ignored or judged? 21-23, Canberra, Sep 2000, 22-23. review of 'Australian icons' exhibition. We acknowledge the Gadigal of the Eora Nation, the traditional custodians of the Country on which the Art Gallery of NSW stands. Requests for a reproduction of a work of art or other content can be made through a Reproduction request. Telephone (02) 9225 1734 or 0414 437 588. It was the cage of his interior, his addiction, the window or a glimpse of possible escape into paradise: the escape from one's psyche. In the late 1970s, Brett Whiteley won the Archibald, Wynne and Sulman prizes several times. ), 21. See opening hours A handful of his own curly, reddish hair glued to the picture signifies a desire to explore a higher kind of realism, as if mere paint on canvas were insufficient to the task. [2], In explaining his use of collage, which often saw him adding photographs or objects to a canvas, Whiteley said he did it: when I feel the need to describe in the focus of the painting something that requires infinite realism, a realism so absolute that no amount of painstaking brush strokes can accurately describe it. [3]. Art market auction sales from the 1970s to 2023 for 3,338 works by artist Brett Whiteley (1939-92), and values for over 18,000 other Australian and New Zealand artists. At the time of print Olsen and Coburn were board members of the Art Gallery of NSW. Shop with Afterpay on eligible items. [citation needed], In 1967 Whiteley won a Harkness Fellowship Scholarship to study and work in New York. Brett Whiteley Art & Life (1995-1996), Art Gallery of New South Wales, Sydney, 16 Sep 1995-19 Nov 1995. . Photograph the space around you then draw or paint a series of sketches of this room and several items in it that are important to you. Lou Klepac, Affinities: Brett Whiteley & Lloyd Rees, 'Introduction', pg. The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. . In July 2016, Text Publishing published Whiteley's biography, titled Brett Whiteley: Art, Life and the Other Thing. Look at this beautiful house and wonderful pictures and things. Michael Bowden, Art-isan: studio arts for VCE units 1-4, 'Analysis of an unseen artwork', pg. Further information can be found at http://www.artgallery.nsw.gov.au/brett-whiteley-studio/, Thirty-six looks at four sights on three themes: recent paintings, drawings and carvings, Bonython Art Gallery [Sydney], Paddington, 24Oct197515Nov1975, Three years on: acquisitions 1978-81, Art Gallery of New South Wales, Sydney, 15Oct198101Dec1981, Two centuries of Australian painting, a selection from the Art Gallery of New South Wales, Orange Regional Gallery, Orange, 19Apr198615Jun1986, Brett Whiteley Art & Life (1995-1996), Art Gallery of New South Wales, Sydney, 16Sep199519Nov1995, Brett Whiteley Art & Life (1995-1996), Museum and Art Galleries of the Northern Territory, Darwin, 13Dec199528Jan1996, Brett Whiteley Art & Life (1995-1996), Art Gallery of Western Australia, Perth, 22Feb199608Apr1996, Brett Whiteley Art & Life (1995-1996), Art Gallery of South Australia, Adelaide, 09May199616Jun1996, Brett Whiteley Art & Life (1995-1996), Art Gallery of New South Wales, Sydney, 02Jul199626Aug1996, Brett Whiteley Art & Life (1995-1996), Tasmanian Museum and Art Gallery, Hobart, 18Sep199617Nov1996, Big Blue - the painted harbour (1997), Art Gallery of New South Wales, Sydney, 21Jun199729Mar1998, Australian icons: twenty artists from the collection, Art Gallery of New South Wales, Sydney, 04Aug200003Dec2000, Affinities: Brett Whiteley & Lloyd Rees (2001), The Brett Whiteley Studio, Surry Hills, 10Feb200108Jul2001, Whiteley & Rees: more affinities (2006), The Brett Whiteley Studio, Surry Hills, 03Dec200510Apr2006, Whiteley & Rees: more affinities (2006), New England Regional Art Museum, Armidale, 29Apr200602Jul2006, 9 shades of Whiteley, Gold Coast City Art Gallery, Surfers Paradise, 12Jul200807Sep2008, 9 shades of Whiteley, Lismore Regional Gallery, Lismore, 13Sep200815Nov2008, 9 shades of Whiteley, New England Regional Art Museum, Armidale, 22Nov200808Feb2009, 9 shades of Whiteley, Newcastle Art Gallery, Newcastle, 14Feb200926Apr2009, 9 shades of Whiteley, Bathurst Regional Art Gallery, Bathurst, 01May200914Jun2009, 9 shades of Whiteley, Mornington Peninsula Regional Gallery, Mornington, 02Jul200923Aug2009, Iconic Whiteley (2009-2010), The Brett Whiteley Studio, Surry Hills, 12Sep200922Aug2010, Brett Whiteley - Connections (2010-2011), TarraWarra Museum of Art, Healesville, 06Nov201019Mar2011, Blue (2011), The Brett Whiteley Studio, Surry Hills, 09Jul201108Jul2012, Destination Sydney, Manly Art Gallery and Museum, Manly, 05Dec201514Feb2016, Brett Whiteley: Lavender Bay, The Brett Whiteley Studio, Surry Hills, 25Oct201915Mar2020, Brett Whiteley: Blue and White, The Brett Whiteley Studio, Surry Hills, 30Apr202227Nov2022, Barry Pearce et al., Brett Whiteley education pack, 'Return to Sydney and Lavender Bay', Sydney, 1995, (colour illus.). BRETT WHITELEY. [23], The book was longlisted for a Walkley Book Award and Australian Book Industry Award, and shortlisted for the Australian Book Design Awards and the Mark and Evette Moran Nib Literary Award.
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