<< /Resources 392 0 R 111 0 obj 100 0 obj Première édition, 1968. /Contents 1013 0 R /Type /Page /Annots [534 0 R 535 0 R 536 0 R 537 0 R 538 0 R 539 0 R] /Rotate 0 << /Rotate 0 /MediaBox [0.0 0.0 595.0 842.0] /Rotate 0 84 0 obj /Parent 2 0 R /Resources 395 0 R /CropBox [0.0 0.0 595.0 842.0] /Rotate 0 >> Histoire de la musique. >> /Resources 526 0 R /Rotate 0 /CropBox [0.0 0.0 595.0 842.0] /MediaBox [0.0 0.0 595.0 842.0] endobj /CropBox [0.0 0.0 595.0 842.0] /Annots [346 0 R 347 0 R 348 0 R 349 0 R] /Contents 456 0 R /Parent 2 0 R /Rotate 0 137 0 R 138 0 R 139 0 R 140 0 R 141 0 R 142 0 R 143 0 R 144 0 R 145 0 R 146 0 R /Parent 2 0 R /Rotate 0 Critères de classification. >> /Parent 2 0 R << /Parent 2 0 R << /Type /Page /Rotate 0 >> /Type /Page /Resources 916 0 R To browse Academia.edu and the wider internet faster and more securely, please take a few seconds to upgrade your browser. /Parent 2 0 R 227 0 obj /Contents 913 0 R /Metadata 6 0 R /Type /Page V oici des fiches d’exercices de tris d’instruments de musique par famille.. U n grand merci à Inelie pour ces fiches déjà testées dans sa classe. /Contents 799 0 R /Parent 2 0 R >> /Parent 2 0 R >> >> /MediaBox [0.0 0.0 595.0 842.0] endobj 67 0 R 68 0 R 69 0 R 70 0 R 71 0 R 72 0 R 73 0 R 74 0 R 75 0 R 76 0 R << /Type /Page MOUTON ÉDITEUR – Paris, La Haye, New York, 2e édition, 1980, 428 pp. /CropBox [0.0 0.0 595.0 842.0] << /Resources 942 0 R /Rotate 0 /MediaBox [0.0 0.0 595.0 842.0] /Resources 810 0 R /MediaBox [0.0 0.0 595.0 842.0] /Resources 1012 0 R /Contents 801 0 R << /Parent 2 0 R /CropBox [0.0 0.0 595.0 842.0] /CropBox [0.0 0.0 595.0 842.0] /Parent 2 0 R endobj /Annots [471 0 R 472 0 R 473 0 R 474 0 R] << endobj /MediaBox [0.0 0.0 595.0 842.0] << /MediaBox [0.0 0.0 595.0 842.0] endobj /Resources 483 0 R 92 0 obj /Contents 734 0 R /Rotate 0 << /Contents 921 0 R Voici quelques exemples: 2 Les VENTS: les bois et les /Annots [418 0 R 419 0 R 420 0 R 421 0 R 422 0 R] /Resources 986 0 R /Rotate 0 /Parent 2 0 R /Resources 888 0 R /Rotate 0 /Resources 912 0 R /CropBox [0.0 0.0 595.0 842.0] 2007 Quelles méthodes pour une histoire des instruments de musique.pdf Instruments de musique. >> /Parent 2 0 R /Resources 255 0 R /Type /Page /CropBox [0.0 0.0 595.0 842.0] /Parent 2 0 R /MediaBox [0.0 0.0 595.0 842.0] /Contents 510 0 R /MediaBox [0.0 0.0 595.0 842.0] >> /Rotate 0 /MediaBox [0.0 0.0 595.0 842.0] >> 139 0 obj /Parent 2 0 R /Parent 2 0 R /Parent 2 0 R /Contents 1009 0 R >> trois familles d'instruments de musique. >> 156 0 obj /Type /Page 37 0 obj << /CropBox [0.0 0.0 595.0 842.0] 143 0 obj /Type /Page /Resources 685 0 R /Type /Page /Resources 822 0 R /CropBox [0.0 0.0 595.0 842.0] /MediaBox [0.0 0.0 595.0 842.0] /CropBox [0.0 0.0 595.0 842.0] /CropBox [0.0 0.0 595.0 842.0] /Rotate 0 /Annots [487 0 R 488 0 R 489 0 R] endobj 73 0 obj /Parent 2 0 R /MediaBox [0.0 0.0 595.0 842.0] /Parent 2 0 R /Type /Outlines << << /Contents 933 0 R /Annots [594 0 R 595 0 R 596 0 R 597 0 R 598 0 R 599 0 R] /Parent 2 0 R L'existence de la musique au Paléolithique est a ttestée par la découverte de plusieurs types d'instruments : flûtes, sifflets, rhombes et racleurs. /CropBox [0.0 0.0 595.0 842.0] /CropBox [0.0 0.0 595.0 842.0] L’apprenant qui a deviné mime à son tour un instrument de musique. /Contents 391 0 R /Resources 890 0 R >> endobj /Parent 2 0 R /Resources 351 0 R /Rotate 0 /Rotate 0 << endobj 136 0 obj /MediaBox [0.0 0.0 595.0 842.0] /Rotate 0 /Rotate 0 endobj /Contents 881 0 R /Rotate 0 << /CropBox [0.0 0.0 595.0 842.0] << endobj /CropBox [0.0 0.0 595.0 842.0] /Resources 946 0 R 126 0 obj endobj /Rotate 0 /Parent 2 0 R /MediaBox [0.0 0.0 595.0 842.0] /MediaBox [0.0 0.0 595.0 842.0] /Contents 867 0 R endobj /CropBox [0.0 0.0 595.0 842.0] 406. /Parent 2 0 R /Resources 936 0 R /Annots [621 0 R 622 0 R 623 0 R] 79 0 obj /CropBox [0.0 0.0 595.0 842.0] /Rotate 0 >> /MediaBox [0.0 0.0 595.0 842.0] /Type /Page 187 0 obj /Type /Page Florence Gétreau >> 53 0 obj 28 0 obj /Contents 328 0 R /Resources 786 0 R /Type /Page /MediaBox [0.0 0.0 595.0 842.0] /Contents 684 0 R /CropBox [0.0 0.0 595.0 842.0] /CropBox [0.0 0.0 595.0 842.0] 104 0 obj /Type /Page /Parent 2 0 R << >> /Rotate 0 /Annots [569 0 R 570 0 R] /Resources 812 0 R /Rotate 0 >> 129 0 obj /Type /Page 75 0 obj << endobj /MediaBox [0.0 0.0 595.0 842.0] Pp. /Resources 962 0 R 70 0 obj /Type /Page 82 0 obj 220 0 obj /Parent 2 0 R 24 0 obj /Parent 2 0 R /MediaBox [0.0 0.0 595.0 842.0] >> endobj << /Rotate 0 /Type /Page /Rotate 0 /Rotate 0 /Annots [283 0 R 284 0 R] /MediaBox [0.0 0.0 595.0 842.0] /Parent 2 0 R endobj << 224 0 obj /Annots [322 0 R 323 0 R 324 0 R 325 0 R 326 0 R 327 0 R] endobj Introduction ethnologique à l’histoire de la musique instrumentale. /Type /Page /CropBox [0.0 0.0 595.0 842.0] /Resources 876 0 R /Rotate 0 /Pages 2 0 R /Parent 2 0 R << /Parent 2 0 R /MediaBox [0.0 0.0 595.0 842.0] /Type /Page /Contents 465 0 R /Contents 985 0 R << /Resources 778 0 R /Type /Page /Annots [690 0 R 691 0 R] << /Type /Page /Parent 2 0 R /Parent 2 0 R Les instru-ments de musique ont chacun leur rôle particulier. 85 0 obj /Contents 753 0 R endobj /Type /Page 50 frs. /Type /Page /Type /Page /Annots [446 0 R 447 0 R] /Parent 2 0 R << endobj /CropBox [0.0 0.0 595.0 842.0] /Parent 2 0 R 193 0 obj /Rotate 0 /Contents 857 0 R /Type /Page /Rotate 0 /MediaBox [0.0 0.0 595.0 842.0] /Type /Page << 17 0 R 18 0 R 19 0 R 20 0 R 21 0 R 22 0 R 23 0 R 24 0 R 25 0 R 26 0 R /MediaBox [0.0 0.0 595.0 842.0] /MediaBox [0.0 0.0 595.0 842.0] /Resources 557 0 R 138 0 obj /MediaBox [0.0 0.0 595.0 842.0] /Type /Page 80 0 obj /MediaBox [0.0 0.0 595.0 842.0] /Resources 804 0 R /Type /Page << endobj Centrée sur l'étude des représentations de la musique dans les arts visuels en Occident moderne, elle peut être fortement liée à l’organologie. /Subtype /XML /Contents 883 0 R 1 0 obj /CropBox [0.0 0.0 595.0 842.0] /CropBox [0.0 0.0 595.0 842.0] /Parent 2 0 R /Resources 645 0 R >> /Contents 428 0 R /Contents 905 0 R endobj /Annots [441 0 R 442 0 R 443 0 R] << 222 0 obj /Contents 745 0 R /MediaBox [0.0 0.0 595.0 842.0] endobj Les tambours existaient probablement au Paléolithique mais ces instruments faits de bois et de peau ne se sont pas conservés. >> 612 0 R 613 0 R] /Parent 2 0 R /Resources 826 0 R /Type /Page << 40 0 obj /Resources 762 0 R << Réédition III. Enter the email address you signed up with and we'll email you a reset link. /Resources 856 0 R /CropBox [0.0 0.0 595.0 842.0] /Rotate 0 52 0 obj /Parent 2 0 R 15 0 obj >> /Parent 2 0 R /Contents 817 0 R /Type /Page 203 0 obj /Contents 903 0 R endobj /MediaBox [0.0 0.0 595.0 842.0] >> /Type /Page endobj /Type /Page 55 0 obj /Type /Page /Rotate 0 /Type /Page << /Parent 2 0 R /Type /Page endobj 201 0 obj /Parent 2 0 R >> /Annots [455 0 R] /CropBox [0.0 0.0 595.0 842.0] /Rotate 0 /Contents 951 0 R /Rotate 0 /CropBox [0.0 0.0 595.0 842.0] /CropBox [0.0 0.0 595.0 842.0] << Les enjeux de la muséographie des instruments acoustiques du Monde, Alexandre Poudret-Barré. << /Rotate 0 /CropBox [0.0 0.0 595.0 842.0] >> /Resources 727 0 R << Classification organologique proposée par Geneviève Dournon, "Instruments de musique du monde : foisonnement et systématiques", in Jean … /Resources 886 0 R /Rotate 0 /Type /Page << 25 0 obj endobj << /Parent 2 0 R /CropBox [0.0 0.0 595.0 842.0] endobj 36 0 obj 67 0 obj /CropBox [0.0 0.0 595.0 842.0] << << /Contents 965 0 R >> >> /CropBox [0.0 0.0 595.0 842.0] Les autres devinent de quel instrument de musique il joue. /MediaBox [0.0 0.0 595.0 842.0] /Rotate 0 >> /Type /Page endobj endobj >> /Contents 439 0 R /Rotate 0 /Parent 2 0 R /Rotate 0 /Rotate 0 /MediaBox [0.0 0.0 595.0 842.0] endobj /Resources 870 0 R << >> /CropBox [0.0 0.0 595.0 842.0] 149 0 obj /Parent 2 0 R /Annots [512 0 R 513 0 R 514 0 R] << /Parent 2 0 R /Resources 976 0 R /Parent 2 0 R << /Parent 2 0 R /Parent 2 0 R /Resources 896 0 R /Parent 2 0 R /Type /Page /Parent 2 0 R 101 0 obj /Resources 521 0 R /CropBox [0.0 0.0 595.0 842.0] • Des questions en suspens –dans la connaissance et les modèles d’instruments • prise en compte de l’instrumentiste • modèles 3D, non linéaires et inhomogènes • problèmes généraux de la mécanique : turbulence, lois de comportement non linéaires… –en synthèse sonore –en facture instrumentale et prise de … Le loto des instruments de musique Sophie Coquelin / Dessine-moi une histoire - dessinemoiunehistoire - France. << /Contents 893 0 R /Count 236 /CropBox [0.0 0.0 595.0 842.0] /Resources 744 0 R endobj 225 0 obj >> /Rotate 0 /CropBox [0.0 0.0 595.0 842.0] 211 0 obj /Resources 918 0 R /Resources 724 0 R /Parent 2 0 R /MediaBox [0.0 0.0 595.0 842.0] << Paris: Mouton Éditeur, 2e édition, 1980, 428 pp. << /Annots [458 0 R 459 0 R 460 0 R] /Contents 674 0 R /MediaBox [0.0 0.0 595.0 842.0] endobj /MediaBox [0.0 0.0 595.0 842.0] /CropBox [0.0 0.0 595.0 842.0] /Resources 840 0 R /Contents 993 0 R /Resources 872 0 R /CropBox [0.0 0.0 595.0 842.0] /Type /Page /CropBox [0.0 0.0 595.0 842.0] >> /MediaBox [0.0 0.0 595.0 842.0] /Annots [694 0 R 695 0 R 696 0 R] /MediaBox [0.0 0.0 595.0 842.0] /Resources 850 0 R /Rotate 0 /Company (CNRS UMR 200) 87 0 obj /Resources 1018 0 R /Type /Page /Rotate 0 << << /Parent 2 0 R /Rotate 0 /Rotate 0 /MediaBox [0.0 0.0 595.0 842.0] /MediaBox [0.0 0.0 595.0 842.0] /Type /Page /Resources 746 0 R 223 0 obj /CropBox [0.0 0.0 595.0 842.0] /Rotate 0 /Parent 2 0 R /CropBox [0.0 0.0 595.0 842.0] >> 77 0 obj /Resources 848 0 R /Type /Page 34 0 obj /Nums [1 249 0 R] /Parent 2 0 R /Contents 619 0 R /MediaBox [0.0 0.0 595.0 842.0] >> DE MUSIQUE HISTOIRE DES ARTS Les instruments de musique se divisent en trois grands groupes: 1 Les percussions. /Parent 2 0 R << /Resources 928 0 R /Type /Page /MediaBox [0.0 0.0 595.0 842.0] /MediaBox [0.0 0.0 595.0 842.0] endobj /MediaBox [0.0 0.0 595.0 842.0] /CropBox [0.0 0.0 595.0 842.0] /Resources 820 0 R /Annots [430 0 R 431 0 R] >> /MediaBox [0.0 0.0 595.0 842.0] /MediaBox [0.0 0.0 595.0 842.0] /Parent 2 0 R /Type /Page 169 0 obj /Resources 337 0 R /Contents 971 0 R >> /Type /Page /CropBox [0.0 0.0 595.0 842.0] /Rotate 0 51 0 obj /Parent 2 0 R >> /Resources 798 0 R >> 176 0 obj /Resources 457 0 R /Annots [505 0 R] /Parent 2 0 R /MediaBox [0.0 0.0 595.0 842.0] endobj On y retrouve l’amour, la mélancolie… Souvent ce sont des musiques qui donnent envie de pleurer, qui font vibrer. >> /Contents 749 0 R /Type /Page /CropBox [0.0 0.0 595.0 842.0] /Type /Page >> Les Temps Modernes 1492 (RENAISSANCE ) - 1789 (l’époque BAROQUE ) de la fin du Moyen Âge à la fin de la Révolution française . 219 0 obj 168 0 obj /MediaBox [0.0 0.0 595.0 842.0] << /CropBox [0.0 0.0 595.0 842.0] /CropBox [0.0 0.0 595.0 842.0] /MediaBox [0.0 0.0 595.0 842.0] /Type /Page endobj 127 0 R 128 0 R 129 0 R 130 0 R 131 0 R 132 0 R 133 0 R 134 0 R 135 0 R 136 0 R /CropBox [0.0 0.0 595.0 842.0] endobj endobj /MediaBox [0.0 0.0 595.0 842.0] << 115 0 obj /MediaBox [0.0 0.0 595.0 842.0] /Rotate 0 << >> /MediaBox [0.0 0.0 595.0 842.0] /Parent 2 0 R /Contents 485 0 R /Contents 997 0 R /CropBox [0.0 0.0 595.0 842.0] /CropBox [0.0 0.0 595.0 842.0] /Type /Page /Parent 2 0 R /Type /Page /Type /Page /Parent 2 0 R endobj /MediaBox [0.0 0.0 595.0 842.0] >> /MediaBox [0.0 0.0 595.0 842.0] /Annots [277 0 R 278 0 R 279 0 R 280 0 R] /Rotate 0 endobj >> /CropBox [0.0 0.0 595.0 842.0] /Contents 811 0 R Sorry, preview is currently unavailable. << /Parent 2 0 R >> /Contents 847 0 R 242 0 obj 120 0 obj /Type /Page 77 0 R 78 0 R 79 0 R 80 0 R 81 0 R 82 0 R 83 0 R 84 0 R 85 0 R 86 0 R /Type /Page endobj >> endobj << /Rotate 0 /Rotate 0 endobj endobj endobj /OpenAction [3 0 R /Fit] << /Annots [616 0 R 617 0 R 618 0 R] /Resources 253 0 R 83 0 obj 215 0 obj << >> 95 0 obj /Contents 394 0 R << endobj >> /Parent 2 0 R /Parent 2 0 R /CropBox [0.0 0.0 595.0 842.0] endobj 58 0 obj /Resources 1008 0 R /Type /Page >> /CropBox [0.0 0.0 595.0 842.0] /Rotate 0 endobj >> << /Resources 922 0 R /Rotate 0 endobj << << /Annots [463 0 R 464 0 R] 2 0 obj << /CropBox [0.0 0.0 595.0 842.0] endobj /CropBox [0.0 0.0 595.0 842.0] endobj /MediaBox [0.0 0.0 595.0 842.0] Le Cantus firmus devient un élément commun à plusieurs parties de la messe, conférant à celle-ci un caractère unitaire. << /Parent 2 0 R >> /Resources 1016 0 R /Resources 964 0 R /MediaBox [0.0 0.0 595.0 842.0] >> /MediaBox [0.0 0.0 595.0 842.0] /Type /Page >> /CropBox [0.0 0.0 595.0 842.0] >> endobj /Resources 910 0 R /Resources 894 0 R /Parent 2 0 R /CropBox [0.0 0.0 595.0 842.0] C’est d’ailleurs à partir de maintenant que la musique est reconnu comme un art. /Type /Page << endobj /Annots [450 0 R 451 0 R 452 0 R] /Type /Page /MediaBox [0.0 0.0 595.0 842.0] /Type /Page /CropBox [0.0 0.0 595.0 842.0] /Type /Page 39 0 obj 145 0 obj /MediaBox [0.0 0.0 595.0 842.0] 41 0 obj endobj /Resources 784 0 R >> << << /CropBox [0.0 0.0 595.0 842.0] 204 0 obj /Parent 2 0 R endobj /Resources 634 0 R << /Parent 2 0 R endobj /Contents 292 0 R /Contents 624 0 R /MediaBox [0.0 0.0 595.0 842.0] /Contents 311 0 R >> /Resources 741 0 R << /CropBox [0.0 0.0 595.0 842.0] /Filter /FlateDecode /MediaBox [0.0 0.0 595.0 842.0] /Type /Page 207 0 obj /CropBox [0.0 0.0 595.0 842.0] /Parent 2 0 R /Im1 1021 0 R >> /CropBox [0.0 0.0 595.0 842.0] >> /Rotate 0 241 0 obj endobj /MediaBox [0.0 0.0 595.0 842.0] /MediaBox [0.0 0.0 595.0 842.0] << /Contents 885 0 R >> /Resources 449 0 R endobj endobj /CropBox [0.0 0.0 595.0 842.0] 184 0 obj 112 0 obj /CropBox [0.0 0.0 595.0 842.0] /CropBox [0.0 0.0 595.0 842.0] endobj appendice. /Resources 956 0 R /Contents 256 0 R /Parent 2 0 R endobj /Type /Page 231 0 obj /Type /Page /MediaBox [0.0 0.0 595.0 842.0] /Annots [407 0 R 408 0 R] >> >> /Contents 977 0 R /MediaBox [0.0 0.0 595.0 842.0] 87 0 R 88 0 R 89 0 R 90 0 R 91 0 R 92 0 R 93 0 R 94 0 R 95 0 R 96 0 R /Resources 824 0 R << endobj /MediaBox [0.0 0.0 595.0 842.0] /Parent 2 0 R /MediaBox [0.0 0.0 595.0 842.0] /Parent 2 0 R /CropBox [0.0 0.0 595.0 842.0] /Resources 980 0 R /Rotate 0 - Volume 12 Issue 2 - … >> /Type /Page /MediaBox [0.0 0.0 595.0 842.0] << /Annots [319 0 R] /CropBox [0.0 0.0 595.0 842.0] /MediaBox [0.0 0.0 595.0 842.0] 81 0 obj /CropBox [0.0 0.0 595.0 842.0] /Type /Page /Contents 629 0 R >> /Rotate 0 99 0 obj 2006-12-05T09:34:48+01:00 /Rotate 0 /MediaBox [0.0 0.0 595.0 842.0] /Parent 2 0 R endobj /Parent 2 0 R

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